Listing 1 - 5 of 5 |
Sort by
|
Choose an application
The period from the 1870s to the 1920s was marked by an interplay between nationalisms and internationalisms, culminating in the First World War, on the one hand, and the creation of the League of Nations, on the other. The arts were central to this debate, contributing both to the creation of national traditions and to the emergence of ideas, objects and networks that forged connections between nations or that enabled internationalists to imagine a different world order altogether. The essays presented here explore the ways in which the arts operated internationally during this crucial period of nation-making, and how they helped to challenge national conceptions of citizenship, society, homeland and native tongue. The collection arises from the AHRC-funded research network Internationalism and Cultural Exchange, 1870–1920 (ICE; 2009–2014) and its enquiry into the histories of cultural internationalism and their historiographical implications.
Arts and transnationalism --- Cultural relations --- History --- Relations culturelles --- Histoire --- Arts and transnationalism - History - 19th century --- Arts and transnationalism - History - 20th century --- Cultural relations - History - 19th century --- Cultural relations - History - 20th century
Choose an application
Cultural relations --- Intellectual cooperation --- International relations --- Relations culturelles --- Coopération culturelle --- Relations internationales --- History --- Histoire --- International relations and culture --- Coopération culturelle --- 20th century --- Congresses --- World politics --- International cooperation --- Cultural relations - History - 20th century --- Culture et relations internationales --- Acculturation --- 20e siècle
Choose an application
This is a pioneering survey of the rise of internationalism as a mainstream political idea mobilised in support of the ambitions of indigenous populations, feminists and anti-colonialists, as well as politicians, economists and central bankers. Leading scholars trace the emergence of intergovernmental organisations such as the League of Nations, the United Nations, the International Labour Organisation and the World Health Organisation, and the corresponding expansion in transnational sociability and economic entanglement throughout the long twentieth century. They reveal how international thought helped to drive major transformations in the governance of global issues from refugees to slavery and sex-trafficking, from the environment to women's rights and human rights, and from state borders and national minorities to health, education, trade and commerce. In challenging dominant perceptions of how contemporaries thought of nations, states and empires, Internationalisms radically alters our understanding of the major events and ideas that shaped twentieth-century politics, culture, economics and society.
Internationalism --- Cultural relations --- Transnationalism --- Imperialism --- Nationalism --- World politics --- International relations --- Trans-nationalism --- Transnational migration --- Cultural exchange --- Intercultural relations --- Intellectual cooperation --- International cooperation --- Cosmopolitanism --- International education --- History --- Political aspects --- Economic aspects --- HISTORY / World. --- International relations. Foreign policy --- World history --- anno 1900-1999 --- Internationalism - History - 20th century --- Internationalism - Political aspects - History - 20th century --- Internationalism - Economic aspects - History - 20th century --- Cultural relations - History - 20th century --- Transnationalism - History - 20th century --- Imperialism - History - 20th century --- Nationalism - History - 20th century --- World politics - 20th century --- International relations - History - 20th century
Choose an application
Traiter des relations artistiques européennes entre l’Est et l’Ouest pendant la guerre froide est un défi. En effet, la limitation des circulations et l’imprégnation du champ artistique par des idéologies rivales peut rendre la démarche illusoire, mais considérer ces limites incite à les questionner. S’appuyant sur des exemples concrets de relations artistiques entre la France, la RFA, la RDA et la Pologne, à la fois dans les discours sur l’art et dans les pratiques artistiques des années 1960 à 1989, cet ouvrage porte sur les conceptions singulières des notions de réel et de réalité selon les contextes, tout en éclairant les partages, incompréhension, malentendus. Musées, catalogues, revues, galeries, congrès, espaces extérieurs sont les lieux dans lesquels les facettes de ces conceptions prennent forme à travers les différents auteurs et acteurs de l’histoire de l’art que sont les artistes, les historiens et critiques d’art. À partir des distinctions et des rapprochements étudiés, cet essai interroge les précédentes analyses pour offrir un point de vue renouvelé sur ces relations, en Europe, durant cette période. Die Auseinandersetzung mit den künstlerischen Beziehungen in Europa zwischen Ost und West während des Kalten Krieges ist eine Herausforderung. Die Einschränkung der Zirkulation sowie die Durchdringung und Beeinflussung des künstlerischen Feldes durch die rivalisierenden Ideologien scheinen dieses Unterfangen aussichtslos zu machen; diese Grenzen erneut in den Blick zu nehmen erfordert jedoch auch sie in Frage zu stellen. Anhand konkreter Beispiele künstlerischer Beziehungen zwischen Frankreich, der BRD, der DDR und Polen, sowohl in Kunstdiskursen als auch in künstlerischen Schöpfungen der 1960er bis 1980er Jahre, konzentriert sich dieses Buch auf singuläre Konzeptionen der Begriffe Wirklichkeit und Realität in diesen Umgebungen und beleuchtet gleichzeitig inwiefern diese Wahrnehmungen geteilt, un- oder missverstanden werden. Museen, Kataloge,…
Art - Political aspects - Europe --- Art, European - 20th century --- Cultural relations - History - 20th century --- Cold War - Influence --- Arts & Humanities --- BRD --- DDR --- Deutschland --- Eiserner Vorhang --- Europa --- Frankreich --- Kalter Krieg --- Kunstbeziehungen --- Kunstgeschichte --- Osteuropa --- Polen --- Realität --- Wirklichkeit --- 20. Jahrhundert --- guerre froide --- histoire de l’art --- réalité --- réel --- rideau de fer --- XXe siècle --- art --- communisme --- capitalisme --- marxisme --- critique d'art --- image --- pensée artistique --- pensée politique --- philosophie --- politique culturelle --- relations artistiques --- réunification allemande --- socialisme --- sociologie des arts --- théorie critique --- Art --- Art, European --- Cultural relations --- Cold War
Choose an application
Cultural relations --- History --- -Cultural exchange --- Intercultural relations --- Intellectual cooperation --- International relations --- -Heidegger, Martin --- -History --- Cultural exchange --- Heidegger, Martin, --- Heidegger, Martin --- Khaĭdegger, Martin, --- Haĭdegger, Martin, --- Hīdajar, Mārtin, --- Hai-te-ko, --- Haidegŏ, --- Chaitenger, Martinos, --- Chaitenker, Martinos, --- Chaintenger, Martin, --- Khaĭdeger, Martin, --- Hai-te-ko-erh, --- Haideger, Marṭinn, --- Heidegger, M. --- Haideger, Martin, --- Hajdeger, Martin, --- הייגדר, מרתין --- היידגר, מרטין --- היידגר, מרטין, --- 海德格尔, --- Chaintenker, Martin, --- Hāydigir, Mārtīn, --- Hīdigir, Mārtīn, --- هاىدگر, مارتين, --- هىدگر, مارتين, --- Cultural relations - History - 20th century.
Listing 1 - 5 of 5 |
Sort by
|